Flashback: Lake Garda and Opera in Verona

September 2nd

When the California Redwood Chorale came to visit Italy in April, we stayed at Lake Garda and participated in a chorale festival in Verona. Whilst in Verona, we went inside the Roman Amphitheater and watched the workers preparing for the summer opera season. I hoped that George and I might be able to go see an opera under the stars during our time in Italy. We managed to get there for closing night, and it was an experience I will never forget.

We stayed one night at a B&B at Lake Garda that boasted stunning views out over the lake. Lake Garda is the largest lake in Italy. One guide book says that it is the most visited lake in Italy and one of the most touristed areas in all of Italy. I found this surprising since most people I know who visit Italy have never heard of Lake Garda. Though it does have a pretty developed touristy feel to it, I find the little lakeside villages to be charming. Most have lovely promenades out around the lake. The upper part of the lake has some spectacular mountains around it.

In the evening, we drove in to Verona for dinner and the opera. The town was packed and buzzing with the excitement of closing night of the opera season. After long adventures in finding a place to park, we made our way into town, snapped a couple photos in front of the arena and set off to find dinner.

We couldn’t find a restaurant with any seats available, so we ate at a little snack bar with a very colorful owner. He was very cleverly providing patrons with a bottle of wine in a plastic bottle that they could take into the arena. As we ate, we watched one beautiful, young couple after another order a bottle of wine. The owner would then take a 1 liter bottle of water, dump the water down the sink, open a bottle of wine and pour it into the empty plastic bottle. Somehow it looked so much less romantic in its plastic container. He entertained the rest of us with witty banter in a smattering of languages.

We then made our way over to the arena with about 10,000 other people. We were up in the upper section with the rest of the jean-clad riff-raff. We watched the swanky people down in the expensive seats make their way in, all sequins and stilletos. We bought a libretto and read up a little on the story while waiting for the spectacle to begin.

The set before the performance began.

The opera didn’t begin until 9:00. After all the announcements were made, the lights came down and Egyptian clad soldiers carrying torches started pouring out of the area up behind the stage. They marched up to the very top, lighting up the arena with fire. Then the orchestra began and the singers appeared and the first notes of Aida sailed into the night sky just as a full moon rose over the arena. (I did try to take a picture of the full moon over the arena, but it came out looking like a streetlamp.)

This was our second full-scale opera production, and by far the most beautiful. (The first was at the Opera House in Vienna, several years back.) The costumes and stage sets for Aida were amazing. There was a ballerina and a dance troupe. A dozen harps and the biggest trumpets I’ve ever seen made appearances on stage (and were expertly played.) In the fourth act there were prancing horses that came to the front of the stage and took a bow. No live elephants, though. I hear sometimes there are real elephants in Aida.

This gives a nice sense of the costumes and the set. I think you can even see a horse and his rider in the back.

And then there were the voices… exquisite voices. The young woman who played Aida was a stellar soprano that sang with great passion and mind-blowing control. I was completely amazed at the loveliness of her high notes when she sang very quietly. All the principals were fantastic. I hadn’t expected them to break character at the end of each scene and take bows, though. We didn’t know if they always do that, or if it was a closing night thing. There was one guy on the opposite side of the arena from us that had an amazing knack for finding the split second at the end of each scene between when the music ended and the applause began and was able to project all the way across the stadium an enthusiastic, “Bravissima!” or “Stupendo.” I also learned that the only thing that can drown out the voice of a soprano singing forte is a piccolo. Wow, that thing is powerful.

We didn’t get very good photos because it was nighttime, but I hope that the few we did get will help me remember the magic of the evening.

Arena at night

Not a great photo, but it gives the feel. See all those little dots of light up on the top of the arena? Those are Egyptian soldiers holding torches. You can kind of see the orchestra toward the bottom left.

If ever you find yourself in Verona on a summer evening, be sure to get tickets for the opera. It is an experience not to be missed.

Note to CRC people: As it turns out, the stage set we saw back in April wasn’t for Aida after all. It must have been for some equally fabulous production, though.

Stage set being worked on in the Verona arena back in April.


4 thoughts on “Flashback: Lake Garda and Opera in Verona

  1. What fabulous photos of the arena!! Such a difference from when we were there in April. Thank you for giving us the magic of the opera in that magnificent venue. Wish we could have been there, but at least we have your photos!!!!
    Gretchen and Ken

  2. Your exciting visit to Verona and the opera made me completely forget I’m home sick with a sore throat on a day when the temperature is supposed to rise to 100! Thanks for the pictures of the opera adventure. All is not lost, however, I am lucky to have the CD about Morton Lauridsen’s life to watch today, so having a cold is not an entire bummer.

    My last attempt to see the SF Opera was last week when I noticed that Salome was on KQED. So all proceeded well with drama, dancing, veils and Salome’s demands for John’s head on a platter. I wondered how they would handle that, and was horrified to see a bloody and drippng cloth bundle delivered to a scantily dressed Salome by a messenger. It was incredibly realistic, and the scene progressed through her unwrapping of the bloody bundle and hugging and kissing the severed head while rolling bodily all over the stage. She was literally rolling in blood, and I had to stop watching for fear of nightmares. They have certainly upped the shock ante in that opera company. They really ran with it.

    Anyway, Keep the flashbacks coming. I hope none of them involve scenes like the above! haha. . Love, B

  3. Wayne and I stayed at Lake Garda and travelled to Verona in 1969. You bring it back, charming lady and writer that you are. Now I want an opera return. Wow!

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